Photography and Visuals

Choosing Colors and Fonts for Your Materials

Learn how to pick a small set of colors and fonts for resumes, slides and web pages so your documents look consistent, readable and easy to maintain.

On this page
  1. Why a Few Choices Go a Long Way
  2. Start With Where the Materials Will Appear
  3. Colors: Keep the Palette Small
  4. Fonts: Two Is Usually Enough
  5. Spacing and Alignment
  6. Write It Down
  7. Applying It Across Materials

Why a Few Choices Go a Long Way

When your resume, slides and web page share the same colors and fonts, they look like they belong together. That small amount of coherence can make your work feel more deliberate and easier to recognize. You do not need design training. What helps most is making a handful of decisions once and then applying them consistently.

Taste varies, and there are many valid approaches, so treat what follows as a practical starting point. Readability and consistency matter more than novelty.

Start With Where the Materials Will Appear

Before choosing anything, list what you actually produce: perhaps a resume, a portfolio, a slide deck, a personal website and an email signature. Some are printed, others are viewed on a screen, and some are both. A color that looks great on a bright monitor may print dull or muddy, and a delicate font that works on paper may be hard to read on a phone.

If you need to print, test a page on a regular printer. If you expect people to view on small screens, check on a phone.

Colors: Keep the Palette Small

A simple palette is easier to apply and tends to look more polished.

  • One main color. Choose a color you like and that suits your field. Deep blues, greens and neutrals are common in professional settings, but there is no required choice.
  • One accent color, if needed. Use it sparingly for links, highlights or small details.
  • Neutral text and background colors. Dark gray or black on a white or very light background is the most readable pairing for body text.

Using the main color for headings or a thin rule, and keeping the rest neutral, is a safe approach. Avoid filling large areas with strong color unless there is a reason for it.

Check contrast

Text must stand out from its background. Light text on a light background, or medium gray on white, is hard to read for many people, especially in bright light or on a low-quality screen. Free contrast checker tools are available online and can tell you whether a pair of colors meets common accessibility guidelines. Such guidelines are a useful reference, though they are not a guarantee that every reader will find the result comfortable.

Also avoid relying on color alone to carry meaning. If a chart uses red and green to mark good and bad, add labels, because some people cannot tell those colors apart.

Think about meaning, carefully

Colors can carry associations, such as blue with calm or red with urgency, but these vary across cultures and individuals, and the evidence for strong effects is mixed. Pick colors you find clear and comfortable rather than trying to engineer a feeling.

Fonts: Two Is Usually Enough

Fonts have a similar rule: fewer is better.

  • One font for headings and one for body text. Some people use a single font family with different weights, such as regular and bold, which is the simplest approach.
  • Choose readable, widely available fonts. If you send a document to someone whose computer lacks your font, it may be replaced by something else and the layout can shift. Using common fonts, or saving as a PDF so the fonts are embedded, reduces that risk.
  • Avoid decorative or script fonts for body text. They can be hard to read in anything longer than a title.
  • Keep sizes sensible. Body text of around 10 to 12 points is common in printed documents, and slightly larger text is easier on screens. Headings should be clearly larger than body text so the structure is obvious.
  • Limit effects. Underlines, all capitals, shadows and many bold passages in the same document reduce clarity.

A pairing of a plain sans-serif font with a classic serif font is a long-established combination, but using one font family throughout is perfectly acceptable.

Spacing and Alignment

Color and fonts work best with good spacing. Leave generous margins, put space between sections and align text consistently, usually to the left. Crowded pages look harder to read regardless of font. This idea carries into other work, such as the slide design you use for talks, where a clean layout supports your message.

Write It Down

A small style sheet saves time and prevents drift. It can be a single page with:

  • Your main color and accent color, written as hex codes (for example, a six-character code that tools can paste in)
  • Your heading font and body font
  • Standard sizes for headings and body text
  • How you present your name and contact details

Keep this file where you can find it. When you update a resume or make a new presentation, you can look at the sheet instead of guessing again.

Applying It Across Materials

Once you have a palette and fonts, apply them in the same way to each item:

  • Resume. Use color lightly, perhaps in the name and headings. Some employers use software that reads resumes automatically, so a simple layout is often safer than a very designed one.
  • Slides. Use large type and high contrast. Avoid putting a lot of text on a slide.
  • Website. Many website builders let you set colors and fonts once in a theme. Use it so each page inherits the same style.
  • Email signature. Keep it modest, with a single color for your name or a thin line. Too much styling in an email can look cluttered.

Together these choices make up part of a wider visual identity, and sticking with them over time supports brand consistency without any need for constant updating.

If you are unsure, start plain. A clear layout in neutral colors will still look professional, and you can add a small accent later. You can adjust over time, but try to change everything together rather than one document at a time, so your materials continue to match.

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